This where you'll hear about my musical "finds" both old and new. This blog will also include reviews on any live music events that I attend. For the most part I won't be doing any negative reviewing though because I'd rather spend my time telling you about the good stuff I've found instead of wasting time discussing the stuff not worth discussing.
TO DISCOVER HOW THIS BLOG WORKS PLEASE READ THE OCTOBER 26TH 2008 POST! IT EXPLAINS THERE WHAT THERE IS NOT ROOM TO EXPLAIN HERE.
Friday, February 29, 2008
CRACK THE SKY / CRACK IN THE 70'S
Digitized from the original vinyl, This is a 80 minute, home made "Best Of" compilation that takes the best cuts (i.e. my favorite tunes) from the first 4 Crack The Sky albums, released from 1975 thru 1978 on Lifesong Records. They are CRACK THE SKY, ANIMAL NOTES, SAFETY IN NUMBERS & LIVE SKY. Format: Mp3 Bit Rate: 320 Kbps TRACK LISTING: Nuclear Apathy / Wet Teenager / Flashlight / Give Myself To You / We Want Mine / Play On / Prelude to Safety In Numbers / Ice / Lighten Up McGraw / She's A Dancer / Virgin? No / Hold On / Long Nights / Robots For Ronnie / Maybe I Can Fool Everybody (Tonight) / Safety In Numbers THE BAND: John Palumbo - Keyboards, Guitars, Vocals Rick Witkowski - Guitar, Percussion Joe Macre - Bass, Vocals Jim Griffiths - Guitars, Vocals Joey D'Amico - Drums, Percussion Gary Lee Chappell - Vocals, Guitar Rob Stevens - Keyboards, Synthesizers WEBSITE(S): http://www.crackthesky.com/ CrackThe Sky Home Page http://www.bobbyshred.com/crackthesky.html Bobby Shred Home Page http://www.progarchives.com/artist.asp?id=2123 Prog Archives REVIEW:
By Yours Truly Crack The Sky holds a special place in my musical heart. I am, and always have been, a large fan of what they nowadays call Prog Rock. When this band arrived they were hard to catagorize. To some it was hard rock, others said Prog and yet others called it Industrial rock. Whatever you call it, it was some of the most off-the-wall, innovative and unique stuff out there in the 70's.
John Palumbo, the person responsible for most of the songs has a special way of looking at the world, like one of those demented genius' who are terribly smart but don't know how to interact with people. The rest of the band is no slouch either. Rick Witkowski plays some of the nastiest / tastiest guitar you're likely to ever hear. Both the Bass and drumming is much above average and moves things along nicely, but it's the songs that make this band stand out.
This CD starts out with an all time favorite tune of mine, Nuclear Apathy. This is an 8 minute kickass tour-de-force that pokes fun at the human race. "On the moon they're laughing at us, on the moon they're falling off their seats". An awesome tune. It doesn't stop there though, the next song, Wet Teenager delivers the message "stop blaming your parents, pick yourself up and get on with it"
This band is still together and still cooking today. As a matter of fact they have a new album that came out December 5th, 2007. I have yet to get all their stuff, alot of it's hard to find or priced beyond what I can afford to pay these days with 3 buck a gallon gas eating into my disposable income, but I'm always on the lookout for CTS music. I highly recommend this band, but be warned....this is not "quiet night by the fireplace" stuff. .... This is Rock n Roll at 11 on a scale of 1 to 10.
Digitized from the original vinyl, released in 1978 on Asylum Records. Format: Mp3 Bit Rate: 320 Kbps ALBUM INFO: Produced by John Hall & Charles PLotkin Recorded By: Peter Granet with Steve Hirsch at Wally Heider Studio 4, Hollywood & with Jay Krugman and Peter Granet at the Record Plant, New York & Mark Howlett at the Sound Factory West Mixed By: Val Garay at Sound Factory West Cover Photography: David Alexander TRACK LISTING: Night / Break Of Day / Messin' Round With The Wrong Woman / Trust Yourself / Give Me The Right / The Fault / Good Enough / Voyagers THE PLAYERS: John Hall - Vocals, All Guitars, Polymoog, Clavinet Keyboards - Joe Sample, Sonny Burke, David Paich Bass - Wilton Felder, Chuck Rainey, David Hungate Drums - Ed Green, Steve Gadd Percussion - Milt Holland Sax - Michael Brecker, David Sanborn Harmonica - Joel Tapp Synthesizer - Bill Payne Background Vocals - James Taylor, Carly Simon, Garland Jeffreys, David Lasley, Arnold McCullough, Phillip Balou, Bonnie Raitt, Lowell George, Lynn Pitney, John Hall & The Persuasions WEBSITE(S): http://www.johnhallforcongress.com/ john Hall for Congress Site http://johnhallmusic.com/ John Hall Music Site http://www.sirensongs.com/john.html Siren Songs Site
REVIEW: By Yours Truly For folks old enough to remember the band ORLEANS and for those not old enough but interested in the great music of the 70's this 2nd solo album of John Hall's (1st one since the demise of Orleans) will be a welcome addition to your collection. John wrote all the songs on this album, sang lead vocals on all the songs and played his guitar on al tracks. Along with his top notch efforts there is a stellar lineup of folks that dropped in to help make this record and their efforts were not in vain as this is an 8 song set that has no low points. High points for me personally are Trust Yourself & The Fault which contains the lines "Foundations built on indian bones, by black men stolen from their homes, sooner or later have to fall, to the fault running underneath it all" A very short but very honest American history lesson. John these days has put down the guitar full time and taken up a career in politics to try and elicit some change in the world as a New York state congressman.
Digitized from the original vinyl, released in 1979 on Columbia Records. Format: Mp3 Bit Rate: 320 Kbps ALBUM INFO: Produced & Arranged By: John Hall Recorded At: Bearsville Sound Studio by John Holbrook & Atlantic Sound Studio, New York by Gene Paul & Lew Hahn Album Cover: Eric Meola TRACK LISTING: Home At Last / Power / Heartbreaker / So / Run Away With Me / Firefly Lover / Arms / Half Moon / Cocaine Drain All music and lyrics by John & Johanna Hall THE PLAYERS: John Hall - Vocals, Guitars, Keyboards, Bass, Cowbell Eric Parker - Drums Jody Linscott - Percussion David Schwartz - Bass Louis Levin - Keyboards Bryan Cumming - Saxophone, Guitar Lynn Pitney - Background Vocals Phil Ballou -Background Vocals Jon Pousette-Dart - Vocals John Troy - Vocals Tony Levin - Bass James Taylor - Vocals Carly Simon - Vocals Michael Mainieri - Vibes WEBSITE(S): http://www.johnhallforcongress.com/ John Hall For Congress Site http://johnhallmusic.com/ John Halls Home Page http://www.sirensongs.com/john.html Siren Songs Website REVIEW: By Yours Truly
I'm Probably going to sound a bit biased but as far as I'm concerned John Hall hasn't put a bad song out in his entire recording career. This is John's third solo album and it's chock full of excellent melodies, great guitar work, great singing and a slew of wonderful backup musicians to help John realize his songs.
This is another performer who should've been much more recognized for his talent than he ever was, however these days I doubt it bothers him much as he's moved on to another arena to effect the changes he attempted to make with his music. He is now a New York Congressman.
From the opening strains of Home At Last to the final notes of Cocaine Drain this is a marvelous album that any music lover would be proud to have as a part of their collection.
Digitized from the original vinyl, released in 1980 on Asylum Records. Format: Mp3 Bit Rate: 320 Kbps ALBUM INFO: Produced By: Andrew Gold Production Assistant: Melanie McDowell Engineered By: Greg Ladanyi & Jim Nipar Recorded & Mixed At: The Sound Factory & Record One, Los Angeles Album Cover: Jim Shea TRACK LISTING: Kiss This One Goodbye / Whirlwind / Sooner Or Later / Leave Her Alone / Little Company / Brand New Face / Nine To Five / Stranded On The Edge / Make Up Your Mind All Songs Written and Arranged by Andrew Gold THE PLAYERS: Andrew Gold - Vocals, Guitars, Keyboards, Synthesizer Drums: Michael Botts, Rick Marotta Bass - Bryan Garofalo, Kenny Edwards Guitar - Waddy Wachtel Keyboards - Don Grolnick Background Vocals - Brock Walsh WEBSITE(S): http://www.andrewgold.com/ Andrew's Home Page http://en.wikipedia.org/wiki/Andrew_Gold Wikipedia Site
REVIEW: By Yours Truly Not a whole lot I can say about this one without overdoing it so let me just say if you have any rock and roll bones in your body at all ( and I assume you do or you wouldn't be reading this.....) then there's damn little chance that you won't be playing this one over and over at a decent volume. Andrew's first 3 albums were great. They were full of wonderful tunes, great arrangements, the whole nine yards, but this one is different. Andrew is pissed, he's got attitude and both his voice and his guitar work have a "don't screw around with me" vibe. The guitar work is fantastic. I didn't know that he could play like that There's not a weak spot on this disc, but the high points for me include "Kiss this one goodbye", Leave Her Alone" and two others that actually helped convince me to marry my wife....."Sooner or Later" and Make Up Your Mind". I've heard that Andrew likes this album least of the one's he's put out. I dunno why that would be unless it was a time in his life that he'd rather not recall.......for me it's makes a very strong statement, is full of very strong lyrical content and just simple good advice......I been married for over 25 years now, to the same woman and still happy about it......matter of fact my wife just bought me a T-shirt for my birthday (#55) that says "if my music is too loud, you're too old". Rock on to the end kids. =========== A surprise offering from a gifted artist!, March 21, 2006 By D. Frame "music lover" (Missouri)
If you are a casual fan of Andrew Gold, I would suggest his compilation CD which spans the majority of his career as a solo artist. However, if you are a fan of Gold and are not familiar with this album, I can promise you that you will not be disappointed with this purchase. It is true that you will not find songs that sound like "Thank You For Being A Friend" on this CD. Personally, I am grateful for that. I've always considered this album to be the one where Andrew Gold matured as an artist - and I use the word "artist" as a major compliment - a singer, songwriter and, yes, a rocker. This is the Gold offering that shows his more rocking side and he does it well. Imagine "Lonely Boy" with a bit more edge and you've got the idea for this one. Musically and lyrically, there is not one bad track on this CD. I would probably have only given this four stars (his "What's Wrong With This Picture" would be a five star effort) but I wanted to offset the ridiculous 1 star rating given by the only other reviewer at the time I wrote this. If you've got other Andrew Gold CDs and you are wanting to find out what he was doing during this period in his solo career, I highly recommend this one, especially if you are wanting to hear the gifted singer/songwriter with more of a rock edge.
Digitized from the original vinyl, released in 1974 on RSO Records. Format: Mp3 Bit Rate: 320 Kbps ALBUM INFO: Produced & Mixed by Mike Finesilver Engineered By: Anton Mathews & Gerry Leach Recorded At: Ramport Studios, Battersea, London Album Cover: Patrick Woodruff TRACK LISTING: Alright By Me / You're Looking Down A Road / Wherever You Go / Caroline / Changes / Help Me Understand / Blackbird / I Need Your Love / Buxton / Leave It All Behind You All Songs composed, Written & Arranged by Alan Ross THE BAND: Alan Ross - Lead Vocals, Guitars & Filing Cabinet Steve Emery - Bass and Vocals Bob Jackson - Keyboards, Vocals, String Machine Tony Fernandez - Drums, Percussion Reuben White - Percussion WEBSITE(S): I couldn't find a doggone thing on the net about this great band.
REVIEW: By Yours Truly After an hour's worth of searching the net I've come to the conclusion that it's pretty hard to find info on a band from 30 years ago that was named after one of the members. So, maybe I'm the only one on the planet these days that thinks that Allan Ross was one of the great ones back in the mid 70's. To me, this album rocks from start to finish. Great, great melodic guitar work and Alan has a classic rock n roll voice. Many was the evening back in the 70's I'd be out cruizing around town in the truck with this album just blasting from the speakers. Everybody in this band knows their instrument well, excellent bass work and the drummer is a dynamo. There is some nice organ work too but the guitar is the focal point. Alan Ross wrote, arranged and sings all the tunes on this album and why it wasn't a major smash I'll never know. I've been meaning to write the Sundazed people and tell 'em they need to put this music on a CD and start pandering them to the masses. They just don't make rock n roll like this nowadays and we sure could use some..........Give this one a listen...it'll be 45 minutes well spent I tell ya.
Ross
posted 10/26/2005 by Russ Another fantastic album of music by ALAN ROSS.Some of the best by a great guitarist.a mixture of hard rock w/ melody and great lyricks.I dont know why it's unavailable,but I do know once it isn't i'll buy it .
THE PEANUT BUTTER CONSPIRACY / THE GREAT CONSPIRACY
Digitized from the original vinyl, released in 1967 on Columbia Records. Format: mp3 Bit Rate: 256 kbps ALBUM INFO: Produced by Gary Usher Engineered by Roy Halee & Tom May TRACK LISTING: Turn On A Friend (To The Good Life) / Lonely Leaf / Pleasure / Too Many Do / Living, Loving Life / Invasion Of The Poppy People / Captain Sandwich / Living Dream / Ecstasy / Time Is After You / Wonderment THE BAND: Barbara Robison - Vocals, Percussion John Merrill - Vocals, Guitar Jim Voigt - Drums Percussion Bill Wolff - Vocals, Guitar Alan Brackett - Vocals, Bass WEBSITE(S): http://www.peanutbutterconspiracy.com/ http://www.allbutforgottenoldies.net/interviews/alan-brackett/
REVIEW: (Amazon reviews) 4 1/2 stars Great lost sixties classic! Having a name like the Peanut Butter Conspiracy probably didn't help on this otherwise very strong record from this Los Angeles band. Very similar to Jefferson Airplane (female vocalist male backing members- drummer of PBC was lured to the Airplane-etc). Comparisons aside- this is excellent well written with great vocals from female singer Sandy who has since passed on. The songs are steeped deep in the San Francisco sound- part psyche-part acid rock pastoral folk. I'm very glad i stumbled upon this and i would consider it in the top twenty of the albums released during 1965-1969, to me the golden age of rock and pop. For psyche summer of love "hippie" or sixties fans its a must own.
Blow your mind!!, January 9, 2006 By Samuel B. King "Sam King" (Concord, NH)
What a singer!! The first cut "Its a happening thing" blew my mind (pardon the '60s lingo, but it fits). I remember the name "Peanut Butter Conspiracy" but hadn't heard them. The female lead singer, Barbara "Sandi" Robison, in my opinion, was better than either Grace Slick, Mama Cass or Spanky McFarlane (no kidding). They sound like Surrealistic Pillow era JA minus the hype and hits. Kind of like a modern alternative band performing this type of music. One can only imagine their power in a live setting. If you like jangly Rickenbacker guitars, tasteful harmonies and a rich soulful lead vocalist, you gotta have this one. I hear the singer tragically passed away during the '80s. A real drag. Her legacy, however, lives on in these cuts. Buy it!!
Digitized from the original vinyl, released in 1974 on Blue Thumb Records. Format: mp3 Bit Rate: 320kbps ALBUM INFO: Produced And Engineered by Chris Huston Recorded And Mixed at Wally Heider's, Hollywood, California Album Design & Graphics: Richard Taylor TRACK LISTING: Aim For The Highest / My Friend / Hollywood / You Need Me / Seattle / I'm There / Morning Magic / How Are We To Live / Endlessly / 4 O'Clock Rock / We Can Make It THE BAND: Michael W. Overly - Guitars, Flutes, Lead and Background Vocals Patrick O'Connor - Bass Warren "Bugs" Pemberton - Drums Loren Newkirk - Keyboards WEBSITE: There's nothing out there about the band that I could find.
REVIEW: I love this album. It's so high energy that it's hard not to be infected by the enthusiasm in the grooves. I can't sing to save my soul, but that doesn't stop me from trying to keep up with Michael Overly's atmospheric, Soaring vocal range. To this day I think his guitar playing / style and vocals are some of the most unique that I've ever heard. The rest of the band are no Slouch either, they're all excellent. The drummer is exceptionally impressive and the bass player lays down a very solid foundation for the soaring guitar and vocal work. I found this album in a cut-out bin of 50 cent albums in a Detroit area record store back in the late 70's. I was so impressed with it that the next time I went back there I bought 5 more copies of it just to give away to friends. I'm down to two copies left now so sharing has to be done digitally. I believe there's a possibility that this album is a "Christian" rock album due to some of the references made in the lyrics, but the message is so subtle that unless you're really paying attention to the lyrics you'd never know. At any rate listening to this album is pretty much a spiritual experience anyhow so that's not a detracting point. These days Michael Overly lives in Dayton Ohio and writes some of the best instruction guides for guitar that you can buy. If you play, check out 12 Tone Music Publishing...
Digitized from the original vinyl recording released in 1974 on Fantasy records. Format: mp3 Bit Rate: 320 kbps ALBUM INFO: Produced By: John Boylan, A Great Eastern Gramophone Production Engineered By: Paul Grupp Recorded At: Captiol Records, Hollywood, California; Fantasy Records, Berkeley California; The Record Plant, Sausalito, California Album Cover: Norman Seef TRACK LISTING: The Great Pretender / Jamica / Yellow Rose Express / Sunday Morning Fool / Last Dance In Salinas / Tattooed Man From Chelsea / Woman Of Aran / Pentacott Lane / Icarus / Texas Knight All songs written by Michael Dinner THE PLAYERS: Michael Dinner - Vocals, Guitars Guitar - Bob Warford, Ed Black, Don Felder Steel Guitar - Ed Black, Sneaky Pete, Al Perkins Keyboards - John Boylan, Andrew Gold, Larry Knechtel, Mike Utley Fiddle - David Lindley Accordian - Nick DeCaro Bass - Michael Bowden Drums - Mickey McGee, Gary Mallaber, Russ Kunkel Percussion - Milt Holland Background Vocals - Linda Ronstadt, Doug Haywood, Herb Pedersen, Ronee Blakley, Gail Davies REVIEW: No other way to say it, this is a great album, full of great tunes. For a first effort this album surpassed 95% of the stuff that was released in 1974. Of course that's my biased opinion but even that aside it'd be hard to argue that this is a well produced piece of work. The musicians are all well known, stellar performers and the songs themselves are all jewels. The album has a definite country feel to it, the likes of other artists of the day like Jackson Browne, Bonnie Raitt, (Who I've always thought should do a version of "Woman of Aran"), Danny Okeefe etc...... After his second attempt, Tom Thumb the Dreamer, Michael gave up on a music career and went into TV production and has been very successful thruout the years up to current times. I still can't help but wonder though how a man with all the talent this guy had could just walk away from something he was obiviously so good at. I would have loved to have a half dozen or more albums from him as I'm sure he'd have matured even more and written dozens of excellent tunes that we could all be singing along with. A pox on the record company for not supporting this artist the way he should've been supported. Maybe someday he'll put out that 3rd album when he has a little bit extra time. Enjoy this one and if you don't find yourself singing along after the first couple listens I'd be real surprised. CONTACT:
Digitized from the original vinyl recording released in 1976 on Fantasy records. Format: mp3 Bit Rate: Is a lowly 128 kbps as it was the first one I did and I was still on the learning curve. When I get time I'll redo it at 320....stay tuned. ALBUM INFO: Produced By: Keith Olson for Pogologo Productions Recorded At: Sound City, Los Angeles, California; Dea Lane Lea, London; Fantasy Studios, Berkeley, California Album Cover: Moshe Bracha TRACK LISTING: Tom Thumb The Dreamer / Julye / The Promised Land / Thrown Out Of The Paradise Ballroom / The Swallow / Sitting In Limbo / Apple Annie / Silver Bullets / Pale Fire All songs written by Michael Dinner (except "Sitting In Limbo" by Jimmy Cliff & Guilly Bright) THE PLAYERS: The Dinettes Michael Dinner - Guitar, Vocals Waddy Wachtel - Guitar, background vocals David Foster - Keyboards Bill Champlain - Organ, Background Vocals Dee Murry - Bass, Background Vocals Nigel Olsson - Drums, Background Vocals Honorary Dinettes Timothy Schmidt - Background vocals Laura Allan - Background Vocals, Zither Allan Estes - Percussion Lenny Pickett - Tenor Sax Chuck Findley - Trumpet Dick Hyde - Trombone Richie Hayward - Background Vocals String and Horn arrangements by David Foster
REVIEW: This is the 2nd of two albums that Michael put out before giving up on music and going into the video arena, developing a very successful career in TV over the last 30 years(ack!). This one has been a personal favorite of mine since the first time I put it on the turntable. It still sounds fresh today. I'm not big fan of comparing artists to one another, but if I had to try and explain what's in these grooves I guess I'd have to say it's kinda country rockish....Eagles, Bonnie Raitt, Jackson Browne.......great song writing and wonderful melodies thruout. If you love music that you can sing along with then I'd be willing to bet you'll enjoy this one. I've included a Ipod sized cover pic. I hope you'll take the time to take a listen.
Digitized from the original vinyl, released in 1968 on Vanguard Records. Format: Mp3 Bit Rate: 320 Kbps ALBUM INFO: Produced By: Samuel Charters Engineered By: Ed Friedner Recorded At: Vanguard's 23rd Street Studio, New York City TRACK LISTING FOR "I-FEEL-LIKE-I'M-FIXIN'-TO-DIE": The Fish Cheer & I-Feel-Like-I’m-Fixin’-To-Die Rag / Who Am I / Pat’s Song / Rock Coast Blues / Magoo / Janis / Thought Dream / Thursday / Eastern Jam / Colors For Susan
TRACK LISTING FOR "TOGETHER"
Rock & Soul Music / Susan / Mojo Navigator / Bright Suburban Mr. & Mrs. Clean Machine / Good Guys-Bad Guys Cheer / The Street Of Your Town / The Fish Moan / The Harlem Song / Waltzing In The Moonlight / Away Bounce My Bubbles / Cetacean / An Untitled Protest THE BAND: Country Joe McDonald – Vocals, Guitars Barry Melton – Vocals, Guitar David Cohen - Vocals, Keyboards, Guitar Bruce Barthol – Bass, Vocals Chicken Hirsch – Drums, Percussion, Bells, Castanets, Sand Blocks WEBSITE(S): http://en.wikipedia.org/wiki/Country_Joe_and_the_Fish
REVIEW: By Yours Truly I'll admit it, I'm biased about these guys. From the first time I heard "Electric Music for the Mind and Body" I was hooked. To an impressionable youth of 15 or so and a musician, playing in local bands, these guys were something different, something never heard before and if the first album opened my ears, the second album opened my eyes. By the time the 3rd one came out they could do no wrong. Sure, now when I listen to this record it has it's weak points and yes, it sounds a bit dated, but because it was with me during the time when it was relevant those slight flaws are easy to put aside when the melodies and words take me back to a time when it was all ahead of me. I can't imagine this music having the same effect on someone listening to it for the first time in these times but I could be wrong. At the very least these albums in particular and this band in general are a great way to delve into the history of music trying to make a difference in the late 60's. Gimme an F! =================================== REVIEW for "I-Feel-Like-I'm-Fixin'-To-Die"
A True Masterpiece of shimmering beauty, September 15, 2000 By James T. Jacobs (Normal, IL USA) - (Amazon Customer Review) The term "psychedelic" is even more elusive now than it was when it was first coined. If you ask someone what it means, you'll likely get a different answer from each person you ask. Does it mean throwing in funny sounds, fuzz and echo to make the music sound spacey? Hendrix and Pink Floyd did this, but they did much, much more. Country Joe and the Fish didn't do much of this, but some of their music still stands out in my mind as some of the very best of that era. One important characteristic of understanding this type of music is that in order to appreciate it, you have to really listen to it. Not as background or just for dancing. This was one of the big changes of the time. Instead of just dancing to music, you sat and listened to it, gathering the beauty, feelings and ideas inherent in the music itself. This album is a perfect example of this. You can't listen to it if you're in a hurry. Especially "Colors For Susan", which is a brilliant, subtle instrumental that paints pictures while you lay back and listen. I'm amazed that someone had the patience to write such a piece. It seems to go on forever, but, when it ends, I'm always disappointed, and want it to go just a little longer. My favorites exhibit a quality that I call, "shimmering beauty". The most outstanding example of this is "Thought Dream". The combination of Joe's smooth, soaring vocals, the melodic guitar figures and the solo organ lines just grab hold and go to the base of my spine and start the shivers right up my back. The album cover is one of many of that time which pay tribute to the Beatles' Sgt. Pepper cover. The record is also an attempt to, as Sgt. Pepper did, create an album as a whole piece, from beginning to end, rather than just a collection of songs. In my opinion, it was successful. Since I got the CD version, I've listened to it dozens of times, and it still goes straight to my heart, and this is about 33 years later. Country Joe and the Fish, I thank you! ============================= REVIEW for "Together"
Quintessential, September 28, 2000 By Mark R. Dobos (Indian Harbour Beach, FL USA) More or less a top 5 band of all time, these guys were each one of the best in what they did and the one band that can claim that they were truly at the center of the 60's, given the political element/genesis. this album is essential and all the songs are favorites--i truly bow to this band--i met Country Joe McDonald back in 1992 in Orlando when i was about 19 and was one of the only times i was starstruck--i had him autograph a napkin and told him his music was timeless. this band is actually beloved. from Melton's guitar/singing/writing majic to "Chicken" Hirsh's ultra drumming to Cohen's super-grade organ and piano--this band is what hip is about and they give new meaning to the term "kick tail." This is very much an ensemble album highlighting their many abilities. I cant say enough about them. The true Musike Politicos--not recommended-- Required! CONTACT:
Video #1 - 1969 - Country Joe at Woodstock singing "I-Feel-Like-I'm-Fixin'-To-Die"
Those who don't learn from the past are doomed to repeat it. George Santayana
We learn from history that we learn nothing from history.George Bernard Shaw
Video #2 - 2006 - Country Joe singing "Support The troops"
This entry is dedicated to my musical compatriot in Hamburg Germany who sent me Counry Joe's "Support The Troops" video, which was the catalyst for this post.